Octopus Books, 1972. — 168 p. The Shang dynasty (1523-1028 BC) The reign of the Chou (1027-256 BC) The Han dynasty (206 BC-AD 220) The six dynasties (220-590) The brief reign of the Sui (581-618) The T'ang dynasty (618-906) The five dynasties (907-60) The Sung nationalists (960-1279) The Yu an Mongols (1260-1368) The Ming (1368-1644) The Ch'ing (1644-1912)
Brill, 1954. — lxii, 414 p. — (Sinica Leidensia 8). Introduction The Ku Hua P’in Lu or Old Record of the Classifications of Painters by Hsieh Ho of the Southern Ch’i Dynasty [CHINESE TEXT] The Hsü Hua P’in with its Preface by Yao Tsui of the Ch’en Dynasty a Native of Wu-Hsing A Record of the Famous Painters of All the Dynasties by Chang Yen-Yüan Finished in the Year A.D. 847...
Brill, 1974. — viii, 328 p. — (Sinica Leidensia 12). Contents Preliminary Material From earliest times to the end of the Three Kingdoms The Chin Dynasty The Liu-Sung Dynasty The Ch’i Dynasty (479-502) and the Liang Dynasty (502-557) The Ch’en Dynasty (557-588) The T’ang Dynasty The T’ang Dynasty (continued) Bibliography and Sources Index of European and modern Chinese and...
New York: Guggenheim Museum Publications, 1998. — xx, 329 p., maps. — ISBN: 9780810969094. New Lower Price Between 1850 and today, China has undergone an unprecedented series of shocks and transformations. This dramatic period--which has seen urban industrialization, conquest by foreign powers, civil wars, changing governments and, more recently, a gradual opening to the...
Princeton University Press, 2002. — 359 p. This extraordinary catalogue accompanies a major traveling exhibition of 128 works of bronze, jade, and clay dating from the thirteenth century B.C. to the second century A.D. The majority of these stunningly sophisticated works of art--among the most unusual and spectacular produced anywhere in the ancient world--all come from a...
University of Hawaii Press, 2002. — 216 p. Depictions of children have had a prominent place in Chinese art since the Song period (960-1279). Yet one would be hard pressed to find any significant discussion of children in art in the historical documents of imperial China or contemporary scholarship on Chinese art. Children in Chinese Art brings to the forefront themes and...
New York: Columbia University Press, 2011. — xii, 420 p.: ill. — (Global Chinese Culture) — ISBN: 9780231512008. This study surveys how historical violence and atrocity have been presented, represented, and projected in contemporary Chinese cultural texts and explores what these repre sen ta tions tell us about history, memory, and the shifting status of national identity. What...
C. E. Tuttle Co, 1969. — 236 p. The Study of the art of love in China focusing on the late Ming period, Illustrated throughout with b/w and full colour illustrations.
Doubleday & Company, 1976. — 302 р. National art treasures depict the evolution of Chinese culture between the Neolithic Age and the Industrial Revolution.
Doubleday & Company, 1976. — 302 р. National art treasures depict the evolution of Chinese culture between the Neolithic Age and the Industrial Revolution.
Studio Publications/Thomas Y. Crowell, 1953. — 392 p. There has been a great need for a wellillustrated and comprehensive text on every phase of Chinese art with complete and up-to-the minute factual knowledge. This is such a book, and it is written by two famous authorities with sympathy, insight, humor, and deep understanding. This partial list of subjects covered will give...
N.Y.: Parkstone Press, 2009. — 256 p. — ISBN: 1844845591. This book is an encyclopaedia of Chinese classical art, giving an informative overview of all forms of Chinese art and providing the keys to understanding contemporary art in China. This book is a great way for beginners to better acquaint themselves with China, while specialists will appreciate the global perspective....
Parkstone International, 2015. — 256 p. This book is an encyclopaedia of Chinese classical art, giving an informative overview of all forms of Chinese art and providing the keys to understanding contemporary art in China. This book is a great way for beginners to better acquaint themselves with China, while specialists will appreciate the global perspective. Dealing not only...
Milan: Cassell Publishers, 1987. — 158 p. The origins of bronze-working in China are mysterious and deeply rooted in ancient Chinese myths. Metallurgy in all its forms seemed miraculous to the ordinary man, and every object, sword or vessel was thought to possess a spirit of its own. Those who worked with metals seemed to be wizards with supernatural powers, all the more so...
The Hamlyn Publishing Group, 1969. — 168 p. Outside Europe, there is no livelier, richer or more technically accomplished tradition of painting than that of China. Chinese painting has for a long time attracted attention in the West, not continuously, perhaps, and particularly at first only to be instinctively but wrongly compared with Western standards of technique and...
University of California Press, 2020. — 406 p. This is the most comprehensive English-language compilation available on Chinese painters and their works from the late sixth through the mid- fourteenth century. Incorporating the work of Ellen Johnson Laing and Osvald Siren, the Index includes biographical details of the artists, their style and studio names.
Weatherhill, 1976. — 222 p. — (History of Later Chinese Painting 1). This book is the first in a projected series of five that will make up a history of later Chinese painting. Several of these are already in preparation, and I hope to complete the writing of the whole series over the next five years. The remaining four volumes will be devoted to painting of the Ming and Ch'ing...
Weatherhill, 1978. — 308 p. — (History of Later Chinese Painting 2). This is the second volume in a projected series of five that will make up a history of later Chinese painting. They are planned so that they may be read either in sequence or independently. The first, Hills Beyond a River, was devoted to painting of the Yuan dynasty (1279-1368), the period of Mongol domination...
Aracne, 2007. — 404 p. Yishu. Manuale di storia dell'arte cinese intende proporre un percorso didattico in grado di fornire una descrizione completa delle tematiche principali dell’archeologia e della storia dell’arte cinese e si rivolge, quindi, a studenti di corsi universitari interessati ad avere una guida breve e aggiornata sull’argomento. Il testo di Caterina propone un...
Arizona State University, 2012. — 318 p. This dissertation is the first detailed and extensive study dedicated to the life and art of the master artist and scholar-official Chen Rong (active 13th century), and offers an expanded analysis of his most famous work, the Nine Dragons scroll (1244). It provides a reconstruction of Chen Rong's biography, character and political...
Ziangxuehai Co., Shanghai, n.d. (c. 2006). 7 cards. The Chinese title is "Jùn Mǎ Tú", which just means "Drawings of Steeds." These are horses from court paintings of the Qing Dynasty (1644 to 1912), published as a series of small cards. They reflect the life of the Qing Dynasty.
Springer, 2025. — 548 p. — ISBN 978-981-97-5291-1; ISBN 978-981-97-5292-8 (eBook). This book aims to provide readers with a clear and comprehensive picture of the development of Chinese art. Its main feature is the combination of illustration and text. It highlights representative works of art in the form of illustrations and discusses their styles, themes, and underlying...
Springer, 2024. — 544 p. - Provides a relatively comprehensive picture of the development of Chinese art for beginners in Chinese art history - Highlights Chinese representative art works in the form of illustrations - Focuses on a specific historical period in Chinese art with its representative artistic characteristics and styles This book aims to provide readers with a clear...
Альбом репродукций. — Beijing Publishing House, 2005. — 172 стр.
(Подписи и комментарии на китайском языке).
Альбом, содержащий репродукции высокого качества рисунков, выполненных в традиционной китайской технике художниками 17-18 вв.
Для нас сложно опознать эмоциональную насыщенность китайской живописи, поскольку у китайцев другие способы проявления чувств и другое отношение...
Skira, 1962. — 294 p. The Chinese Palace Museum's collection of objects of art is unique. Few other ancient civilizations of the world have handed down to posterity the masterpieces of their great artists in a single collection that is comparable in size and value. The formation of this famous court collection may be said to have started from the very beginning of the Southern...
Альбом репродукций. Серия: 创世卓越 | 北京出版社 — Beijing Publishing House, 2002. — 344 с. (Подписи и комментарии на китайском языке). Замечательный альбом китайской национальной портретной живописи в превосходнейшем качестве, содержащий рисунки, выполненные в традиционной китайской технике, а также рельефы на камне, роспись на керамике, на шёлке.
Oxford University Press, 2009. — 276 p. — (Oxford History of Art). China boasts a history of art lasting over 5,000 years and embracing a huge diversity of forms - objects of jade, lacquer and porcelain, painted scrolls and fans, sculptures in stone, bronze and wood, and murals.But this rich tradition has not, until now been fully appreciated in the West where scholars have...
Princeton University Press, 2017. — 300 p. — (Bollingen series 35.61). What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a...
London: Agnew & Co, 1882. — 39 p. These examples of Oriental porcelain have been collected in a desultory manner during the past few years, some of them having been acquired by the owner in China, and others obtained in this country. It is believed that the specimens are without exception of Chinese origin, but in this opinion it is not easy to be entirely confident, as many of...
Crown Publishers, 1964. — 256 p. In western China, on the great silk road, lies the ancient city of Tun-huang, famous for its great Buddhist shrine, consisting of no fewer than 469 caves carved out of a sandy cliff. Founded in the fourth century A. D., its wealth of wall-paintings and other valuable works of art was produced during successive dynasties—the Sui, the T'ang and...
Springer, 2023. — 1184 p. — (China Academic Library). — ISBN 978-981-19-9093-9. Adopting the perspective of anthropology of art and combining it with global academic insights, this book helps the readers to recognize that “history is, in great measure, the record of human activity which spreads from the local to the regional, from the regional to the global, and from the global...
Brill, 2013. — 363 p. — (China Studies 24). — ISBN: 9004250980, 978-9004250987. In Fragmenting Modernisms , Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of fiction, poetry, film, and visual art. About the Author: Carolyn FitzGerald, Ph.D....
New York: Metropolitan Museum of Art, 1980. — 408 p. — ISBN: 0-87099-226-0. Nearly 4,000 years ago, the ancient Chinese made a discovery that would determine the course of their history and culture for two millennia—the alloy of tin and copper known as bronze. Bronze was used for tools and weapons and even musical instruments, but the Great Bronze Age of China has come down to...
Metropolitan Museum of Art; Yale University Press, 1992. — 549 p. This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the...
American Heritage, 1969. — 386 p. A masterpiece of Chinese art speaks to the viewer so directly that all barriers of time and language seem to fall silently away, and it is tempting, indeed fatally easy, to respond to its beauty on our own. Western, terms. A bronze vessel with three gently curving, tapering legs, flared lip, and rounded body crisply incised, reminds one of the...
Batsford, 1946. — 196 p. Chinese Art is a comprehensive introduction to the whole field. Here six of the best-known experts have put their talents at the service of the ordinary reader to present a concise and lucid survey of painting, sculpture, ceramics, textiles, bronzes, and the minor arts. The magnificent illustrations with which this book is plentifully supplied will...
Brill, 2011. — xxiv, 470 p. — (Sinica Leidensia 96). One of the most magnificent and enduring themes in Chinese painting history can be found depicted in Daoist temples from the local village up to the very capital, viz., the paintings of the Heavenly Court (chaoyuan tu). Surprisingly, its images have remained largely unstudied in Western scholarship. Drawing on a comparative...
Bloomsbury Academic, 2021. — 416 p. For anyone working in aesthetics interested in understanding the richness of the Chinese aesthetic tradition this handbook is the place to start. Comprised of general introductory overviews, critical reflections and contextual analysis, it covers everything from the origins of aesthetics in China to the role of aesthetics in philosophy today....
Routledge, 2023. — 312 p. This book examines the agrarian labor genre paintings based on the Pictures of Tilling and Weaving that were commissioned by successive Chinese emperors. Furthermore, this book analyzes the genre’s imagery as well as the poems in their historical context and explains how the paintings contributed to distinctively cosmopolitan Qing imagery that also...
Routledge, 2023. — 312 p. This book examines the agrarian labor genre paintings based on the Pictures of Tilling and Weaving that were commissioned by successive Chinese emperors. Furthermore, this book analyzes the genre’s imagery as well as the poems in their historical context and explains how the paintings contributed to distinctively cosmopolitan Qing imagery that also...
Dover Publications, 1971. — 315 р. — (Dover Pictorial Archives). — ISBN: 978-0486226330. 300 authentic, solid-silhouette designs printed in colors: phoenix, chrysanthemum, lotus, plum blossom, butterfly, fish, boat, etc. Provides rare source of ideas and direct reproduction wherever Oriental flavor is needed. "One of the most aesthetically pleasing books to cross our desk in a...
New York: Metropolitan Museum of Art, 2012. — 96 p. — ISBN: 978-0300193015. China is a vast and populous country, moving rapidly on all fronts to prepare itself for life in the twenty-first century. Heir to a resplendent ancient culture, modern China is following a unique developmental path that evolves from this long and rich cultural tradition. Our understanding of the...
New York: Metropolitan Museum of Art, 1996. — 375 p. — ISBN: 0-87099-806-4 In 1961-62, the exhibition "Chinese Art Treasures" brought a selection of 231 works from National Palace Museum, Taipei, to five American museums, including The Metropolitan Museum of Art, establishing a new benchmark in Chinese studies and introducing a whole generation of Americans to the highest...
Spring Books, 1964. — 226 p. Pottery, porcelain, jades, paintings, lacquer, bronzes and furniture—all these facets of the Chinese creative genius are presented in this volume in full colour. When this pictorial survey of the whole field of Chinese art was originally pubhshed, it was immediately recognised as an outstanding contribution to its subject. The introduction by the...
Cambridge Scholars Publishing, 2014. — 354 p. The Reception of Chinese Art across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth to the twenty-first century. Scholars and curators from East Asia, Europe and North America jointly present...
Princeton University Press, 2022. — 353 p. — (Bollingen Series 35.68). A sweeping look at Chinese art across the millennia that upends traditional perspectives and offers new pathways for art history. Throughout Chinese history, dynastic time―the organization of history through the lens of successive dynasties―has been the dominant mode of narrating the story of Chinese art,...
Stanford University Press, 1995. — 403 p. This pioneering work reinterprets the history of early Chinese art and architecture, focusing on the notion of monumentality and forms of monuments as they evolved from prehistory to the early sixth century. Chinese decorative, pictorial, and architectural forms, often approached as separate traditions, are here explained as a broad...
Reaktion Books, 2010. — 274 p. No other civilization in the premodern world was more obsessed with creating underground burial structures than the Chinese. For at least five thousand years, from the fourth millennium BCE to the early twentieth century, Chinese people devoted an extraordinary amount of wealth and labor to building tombs and furnishing them with exquisite objects...
Thames & Hudson, 2021. — 216 p. — (World of Art). Fulfilling a need for an accessible, affordable introduction to a subject of sustained and growing significance in contemporary culture, this volume in the World of Art series redefines contemporary Chinese art in the last forty years since the end of Chinas Cultural Revolution, placing it in the context of unprecedented...
Thames & Hudson, 2021. — 249 p. — (World of Art). Fulfilling a need for an accessible, affordable introduction to a subject of sustained and growing significance in contemporary culture, this volume in the World of Art series redefines contemporary Chinese art in the last forty years since the end of Chinas Cultural Revolution, placing it in the context of unprecedented...
Dumbarton Oaks Trustees for Harvard University. Printed in China by Everbest Printing Company, 2016. — 59 p. with illustrations by Shen Yu and Matteo Ripa; translated by Richard E. Strassberg, with introductions by Richard E. Strassberg and Stephen H. Whiteman. Foreword Map of the Thirty-Six Views Redesigning Sovereignity The Kangxi Emperor, the Mountain Estate for Escaping the...
Traduction et commentaires par Raphaël Petrucci. — Paris: Henri Laurens, 1910. — Reédition: Paris, 2000. — 520 p. Le Kiai tseu yuan houa tchouan ou " Les enseignements de la Peinture du Jardin grand comme un grain de moutarde " (芥子園畫傳, Jieziyuan Huazhuan) constitue une véritable encyclopédie de la Peinture chinoise. Ce traité fondamental rassemble les plus vieilles lois de...
Tuttle Publishing, 2012. — 276 p. Bridges, the least known and understood of China's many wonders, are one of its most striking and resilient feats of architectural prowess. Chinese Bridges brings together a thorough look at the marvels of Chinese bridge design from one of the world's leading experts on Chinese culture and historical geography, Ronald G. Knapp. While many...
Jaca Book, 2016. — 248 p. Mostrare l'arte cinese nel suo contesto spirituale, religioso e politico è l'ambizione del presente volume. A partire da una prospettiva storico-culturale, Christine Kontler descrive l'enorme ricchezza di una civiltà che si è sviluppata nel corso di quattro, cinque millenni in un territorio di dimensioni continentali. Con un mirabile lavoro di sintesi,...
Freer Gallery of Art , 1982. — 207 p. In the remarkably long sweep of Chinese culture — estimated by some contemporary writers to have begun as early as six thousand years ago — the roughly two-and-one-halt century span of the Warring States period might seem hut a brief interlude. Yet, it was m fact a time ot extraordinary change. The Warring States period was an era ot...
The Metropolitan Museum of Art, 1974. — 134 p.
Additions to the Helena Woolworth McCann Collection in the Metropolitan Museum.
At the crest of the long commerce between China and the West in the mid- to late eighteenth century, Chinese porcelain was eagerly acquired by Western rulers, statesmen, leading families, and others alert for the novel. Its primary appeal was that it...
Princeton University Press, 2000. — 271 p. — (Bollingen series 35.46). Chinese workers in the third century b.c. created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century a.d., Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. In the seventeenth and eighteenth...
University of Washington Press, 2021. — 282 p. At sixty-two meters the Leshan Buddha in southwest China is the world's tallest premodern statue. Carved out of a riverside cliff in the eighth century, it has evolved from a religious center to a UNESCO World Heritage Site and popular tourist destination. But this Buddha does not stand alone: Sichuan is home to many cave temples...
Alfred Holz Verlag, 1967. — 50 S. Die vorliegende kleine Auswahl von Arbeiten zeitgenössischer Maler läßt uns China miterleben, so unverwechselbar chinesisch sind diese Bilder. Menschen, aber auch Vögel, Fische, Insekten, Blumen, Gräser, zierliche Bambushalme lernen wir mit chinesischen Augen sehen, ihre charakteristische Form, aber auch ihr inneres Wesen. Die Wiedergabe dieser...
De Gruyter, 2022. — 822 p. This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court...
De Gruyter, 2022. — 449 p. — ISBN This volume explores the prehistoric beginnings of Chinese art and its development during the Xia, Shang, and Zhou Dynasties. It analyses the conditions of the emergence of Chinese art and its transformation of form, content and function throughout the Three Dynasties, a historical period marked by important changes in the social and cultural...
De Gruyter, 2022. — 420 p. his volume studies the evolution of Chinese art during the Qin and Han Dynasties, The Three Kingdoms, Eastern and Western Jin, and the Northern and Southern Dynasties. It traces the initial artistic vocabularies of Chinese calligraphy as well as the rapid development of the performing and the decorative arts. A General History of Chinese Art comprises...
De Gruyter, 2022. — 420 p. This volume analyses the history of Chinese art during the time of the Ming Dynasty during which the various traditions of painting academies were developed further leading to new painting styles and schools. The volume also highlights the developments in music, crafts, porcelain, and architecture. A General History of Chinese Art comprises six...
De Gruyter, 2022. — 420 p. This volume investigates the artistic development during the Qing Dynasty, the last of imperial Chinese dynasties, and shows the importance of opera and playwriting during this time period. Further analysis is dedicated to the development of scroll painting and the revival of calligraphy and seal carving. A General History of Chinese Art comprises six...
De Gruyter, 2022. — 546 p. This volume covers Chinese art during the reign of the Sui and Tang Dynasties during which the various disciplines of plastic and performing arts all entered a stage of unprecedented prosperity and development. It also traces new explorations in calligraphy, painting, and mural art and highlights architectural achievements during the historic period....
Hong Kong University of Science and Technology, 2013. — 136 p. This thesis examines the various sources of the landscape style of Shen Zhou 沈周 (1427-1509), one of the most prominent figures in the history of Chinese literati painting. Shen Zhou has been credited with reviving the Yuan literati painting styles, which stagnated in the early Ming period for nearly a century, and...
Springer, 2022. — 1063 p. — (Qizhen Humanities and Social Sciences Library). — ISBN 978-981-16-9073-0. Dunhuang studies refer to a discipline focusing on Dunhuang Manuscripts, Dunhuang grotto art, the theory of Dunhuang studies, and Dunhuang history and geography. It is a broad subject of studying, excavating, sorting, and protecting the cultural relics and documents in the...
Springer, 2022. — 348 p. — (Qizhen Humanities and Social Sciences Library). — ISBN 978-981-16-9072-3. Dunhuang studies refer to a discipline focusing on Dunhuang Manuscripts, Dunhuang grotto art, the theory of Dunhuang studies, and Dunhuang history and geography. It is a broad subject of studying, excavating, sorting, and protecting the cultural relics and documents in the...
University of Hawaii Press, 2007. — 249 p. Donors of Longmen is the first work in a Western language to recreate the history of the Longmen Grottoes, one of China's great stone sculpture treasure houses. Longmen, a UNESCO World Heritage site located near the old capital of Luoyang in modern Henan Province, consists of thousands of ancient cave chapels and shrines containing...
Boston: The MIT Press, 2011. — 424 p. — ISBN10: 0262014947; ISBN13: 978-0262014946. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese...
Tuttle Publishing, 2011. — 235 p. — ISBN: 0804816247, 978-1462902958. In this stimulating art history, noted Oriental art authority Dr. Hugo Munsterberg traces the history of Chinese art dynasty by dynasty, elucidating the origins and development of major movements in Chinese painting, ceramics, bronzes, sculpture, and architecture. He clearly describes and defines the...
New York: Metropolitan Museum of Art. 1991. — 615 p. — ISBN: 0-87099-604-5 In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan,...
University of Hawaii Press, 2004. — 217 p. The cave-temple complex popularly known as the Dunhuang caves is the world's largest extant repository of Tang Buddhist art. Among the best preserved of the Dunhuang caves is the Zhai Family Cave, built in 642. It is this remarkable cave-temple that forms the focus of Ning Qiang's cross-disciplinary exploration of the interrelationship...
Wiley Blackwell, 2017. — 583 р. Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history. Provides an exceptional collection of essays promoting a comparative understanding of...
Wiley / Blackwell, 2016. — 583 р. — ISBN: 978-1-4443-3913-0. Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history. Provides an exceptional collection of essays promoting a...
San Francisco: Asian Art Museum, 1995. — 53 p. Brushpainting, which includes calligraphy, landscapes, scrolls and fans, has been a major art form throughout Chinese history. This packet explores the history, development and significance of brushpainting in Chinese art. Includes discussion of painting and calligraphy techniques, and a comparison of painting styles.
Reaktion Books, 2023. — 296 p. The first extended history of the Chinese picture-scroll. The Chinese picture-scroll, a long, horizontal painting or calligraphic work, has been China’s pre-eminent aesthetic form throughout the last two millennia. This first history of the picture-scroll explores its extraordinary longevity and adaptability to social, political, and technological...
SCPG Publishing Corporation, 2022. — 156 p. The Chinese decorating art, in myriad media - bronze, ceramics, silk, embroidery, lacquer, jade, enamel, gold, and silver - and of carving and sculpture, is an ageless tradition of exquisite craftsmanship. Its evolution since ancient times was driven not only by the expanding use of materials available, but advances in technology. The...
Penguin Books, 1988. — 530 p. With almost 4,000 years of artistic evolution--from the Shang Dynasty to the end of the Ch'ing in this century--the Chinese boast a longer span of cultural history than any other race. The abiding influence of tradition is stressed by both authors. Confucian restraint and Taoist escapism, among other religious and philosophical ideals, are...
Schocken Books, 1963. — 294 p. The Chinese on the Art of Painting is an authoritative and indispensable handbook for both the student and the general viewer of Chinese painting. Here is the history and philosophy of Chinese art unfolded in the stated intentions and reflections of the artists themselves. Osvald Siren, the senior authority on the subject, presents the writings of...
Greystone Press, 1960. — 266 p. — (Art of The World). A comprehensive work on the art of China with the emphasis on antiquities. Many color illustrations of sculpture, ceramics and paintings. Includes a bibliography, glossary and index.
Stanford University Press, 2001. — 226 p. Despite their compelling presence and often exquisite quality, Chinese ancestor portraits have never been studied as a genre. This richly illustrated book (85 portraits in full color, 81 in black and white) is the first to explore in depth the artistic, historical, and religious significance of these remarkable paintings and to place...
University of California Press, 2018. — 353 p. Internationally renowned and a crucial classroom text, The Arts of China has been revised and expanded by the late Michael Sullivan, with Shelagh Vainker. This new, sixth, edition has an emphasis on Chinese art history, not as an assemblage of related topics, but as a continuous story. With updated attributions and dating...
University of California, 1967. — 362 p. This book preserves the continuous narrative framework of the authors earlier Introduction to Chinese Art. Only a broadly historical approach, he feels, one which combines vertical continuity down the ages with horizontal wholeness across each period, makes it possible for the reader, perhaps approaching Chinese art for the first time,...
University of California Press, 1961. — 338 p. With every passing year, fresh discoveries make it more difficult to compress the history of Chinese art between the covers of a single manageable book. I am conscious of having left out much that is beautiful and important. This is inevitable. But I have tried to take into account the most significant results of the work of...
University of California Press, 1973. — 260 p. Written in the engaging and lucid style that is Sullivans hallmark, The Arts of China is readily accessible to general readers as well as serious students of art history. Discussing more than three millennia of Chinese artistic endeavor, Sullivan introduces not only artworks, but also the social, political, religious, and...
Viking Press, 1963. — 280 p. Presents the first full-length study of the monumental art of China. The photographs taken for it, dramatic and beautiful in their own right, are particularly valuable for their new view of subjects, many of which have never been reproduced in the West. Photographs and text in close conjunction cover not only the most important Buddhist temples and...
Cambridge: Cambridge University Press, 2015. — xii, 276 p.: illustrations. Includes bibliographical references and index. — ISBN: 9781107446373 (Paperback). Exploring a wealth of images ranging from woodblock prints to oil paintings, this beautifully illustrated full-color study takes up key elements of the visual culture produced in the People’s Republic of China from its...
Kodansha International, 1969. — 204 p. This book opens up a treasure-house of Chinese Buddhist art that has been almost entirely inaccessible to the West. The fifth to the ninth centuries saw the highest florescence of Buddhist art in China, and it was in this period that a large number of temples-including the spectacular and monumental cave temples-were constructed throughout...
Kodansha International, 1969. — 204 p. This book opens up a treasure-house of Chinese Buddhist art that has been almost entirely inaccessible to the West. The fifth to the ninth centuries saw the highest florescence of Buddhist art in China, and it was in this period that a large number of temples-including the spectacular and monumental cave temples-were constructed throughout...
Prentice Hall, 2001. — 533 p. An illustrated chronicle of Chinese art from the late Neolithic period through the twentieth century, which discusses artistic reflections of politics, material culture, belief systems, and more, and includes over one hundred color plates, eight maps, and a time line.
Dover Publications, 1978. — 155 p. — ISBN10: 0486237079 / ISBN13: 978-0486237077. Brush and ink — the required path to the "three perfections" of Chinese art — painting, calligraphy, poetry. The complex path to Chinese art, through painting and calligraphy(and ultimately poetry), is revealed through a lucidly described tour of the John M. Crawford, Jr. collection of Chinese...
Penguin Books, 1974. — 260 p. An approach to Chinese art not wholly bound to the necessities of historical order may, as an introduction, offer readier insights into its general character than the more customary sequential treatment. The present book does not divide the subject by dynasties or by the categories of the fine arts as they are understood in the West. Instead it...
Yale University Press, 1995. — 292 p. This book is the first in a major three-volume series that will survey China's immense wealth of art, architecture, and artifacts from prehistoric times to the twentieth century. The Arts of China to A.D. 900 investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era...
Watt, James C. Y., An Jiayao, Angela F. Howard, Boris I. Marshak, Su Bai, and Zhao Feng, with contributions by Prudence O. Harper, et al. — Metropolitan Museum of Art, 2004. — 416 p. — ISBN: 978-0300104875. The Han (221 B.C.–A.D. 206) and Tang (618–907) dynasties mark the two great eras of early imperial China. From the fall of the Han at the turn of the third century to...
Metropolitan Museum of Art, 2005. — 103 p. — ISBN: 9781588391537. The imperial workshops of Yongle (r. 1403–24), third emperor of the Ming dynasty, produced superb paintings, sculptures, porcelains, and other luxury objects that became the foundation for subsequent developments in the arts for the remainder of the Ming dynasty. This volume traces the roots of the Yongle...
Brill, 2002. — xiv, 398 p., 50 ills. — (Sinica Leidensia 54). Subject of this book is the social and cultural history of Chinese art collecting during the early years of Mongol rule in China (the Yuan dynasty, 1276-1368). At the core of Weitz’s book is a complete translation of the Record of Clouds and Mist Passing Before One’s Eyes (Yunyan guoyan lu), an art catalog written by...
Penguin Books, 1958. — 466 p. Chinese Art attempts to relate the traditional artforms of China to the social, political, and technological conditions out of which thev arose. Each artform has a chapter of its own, where it it is discussed in the context of a particular historical epoch during which, for one reason or another, it reached an especially characteristic stage of...
Penguin Books, 1958. — 456 p. Chinese Art attempts to relate the traditional art-forms of China to the social, political, and technological conditions out of which they arose. Each art-form has a chapter of its own, where it is discussed in the context of a particular historical epoch during which, for one reason or another, it reached an especially characteristic stage of...
4th edition. — Tuttle Publishing, 2006. — 451 p. Gain a deeper appreciation for Chinese art and architecture by understanding its symbols. The Yin and Yang, dragon, phoenix, five elements, and other symbols are explained in their historical and cultural context. Chinese Symbolism and Art Motifs also includes articles on Chinese beliefs, customs, arts and crafts, foods,...
4th Revised Edition. — Tuttle Publishing, 2006. — 451 p. — ISBN 978-0-8048-3704-0. Gain a deeper appreciation for Chinese art and architecture by understanding its symbols. The Yin and Yang, dragon, phoenix, five elements, and other symbols are explained in their historical and cultural context. Chinese Symbolism and Art Motifs also includes articles on Chinese beliefs,...
Yale University Press, 1997. — 424 p. — (The Culture & Civilization of China). From Neolithic painted petroglyphs, early paintings on silk, and landscapes by twelfth-century literati to the traditional handscrolls being produced today, Chinese painting has always had the power to enthrall. This magnificent book, written by a team of eminent international scholars, is the first...
New York: Springer, 2020. — 530 p. Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities,...
Hong Kong University Press, 2023. — 216 p. In Painting Architecture , Leqi Yu conducts comprehensive research on jiehua, or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools like rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting...
Hong Kong University Press, 2023. — 216 p. In Painting Architecture , Leqi Yu conducts comprehensive research on jiehua, or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools like rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting...
China Intercontinental Press, 2004. — 145 р. Part of the Cultural China Series, this book is a perfect entry for anyone seeking an introduction to Chinese folk arts. It provides an in-depth look at folk arts, undertaking serious discussion of the core characteristics and social context of various forms, as well as an overview of folk artists themselves. The author offers a...
М.: Наука. Главная редакция восточной литературы, 1982. — 221 с. В книге рассказывается о стиле жизни китайского художника в III—VI вв. Каждый раздел кроме исследовательской части включает небольшую антологию текстов: жизнеописания из династийных историй, философские отрывки, лирические стихотворения — все, что составило славу одного из самых интересных и своеобразных периодов...
М.: Наука. Главная редакция восточной литературы, 1982. — 221 с. В книге рассказывается о стиле жизни китайского художника в III—VI вв. Каждый раздел кроме исследовательской части включает небольшую антологию текстов: жизнеописания из династийных историй, философские отрывки, лирические стихотворения — все, что составило славу одного из самых интересных и своеобразных периодов...
Отв. ред. М.Е. Кравцова. — М.: Русский фонд содействия образованию и науке, 2016. — 648 с.: ил. — (Orientalia et Classica. Труды Института восточных культур и античности: вып. 60). Эпоха неолита (VIII–III тыс. до н. э.). Эпоха ранней бронзы и период династии Шан-Инь (II тыс. до н. э.). Период династии Чжоу (XI–III вв. до н. э.). Период династий Цинь и Хань (III в. до н. э.–III...
М.: Белый город — 51 с. Китайская пейзажная живопись не случайно занимает столь достойное место среди шедевров мирового искусства. В Китае значительно раньше, чем в других странах, было сделано своеобразное этическое открытие природы и появилась живопись, воспевающая ее красоту и величие. Именно пейзаж среди других жанров сумел наиболее полно и глубоко выявить духовную сущность...
М.: Изобразительное искусство, 1988. — 250 с. — ISBN 5-85200-047-7. Данный альбом "Искусство Китая" посвящен целостному явлению культуры, в комплексе показывает архитектуру, изобразительное и декоративно-прикладное искусство.
М.: Изобразительное искусство, 1988. — 250 с. — ISBN: 5-85200-047-7. В архиве 1 половина книги ( 123 изображения) в формате JPG Вторая часть Данный альбом Искусство Китая посвящен целостному явлению культуры, в комплексе показывает архитектуру, изобразительное и декоративно-прикладное искусство.
М.: Изобразительное искусство, 1988. — 250 с. — ISBN: 5-85200-047-7 В архиве 2 половина книги в формате JPG ( первая часть Данный альбом Искусство Китая посвящен целостному явлению культуры, в комплексе показывает архитектуру, изобразительное и декоративно-прикладное искусство.
Москва: Искусство, 1972. — 160 с. Искусство обладает удивительной способностью оживлять прошлое. Созданная в отдаленные от нас эпохи пейзажная живопись Китая пронесла сквозь века сложившиеся еще в древности приемы и формы: своеобразие выразительных средств, неизменный аллегоризм искусства, тесную связь с природой. В книге представлены образцы пейзажной китайской живописи и...
Москва: Искусство, 1972. — 160 с. Искусство обладает удивительной способностью оживлять прошлое. Созданная в отдаленные от нас эпохи пейзажная живопись Китая пронесла сквозь века сложившиеся еще в древности приемы и формы: своеобразие выразительных средств, неизменный аллегоризм искусства, тесную связь с природой. В книге представлены образцы пейзажной китайской живописи и...
Днепропетровск: Юникон ЛТД, 2004. — 44 с. Иллюстрированный альбом предлагает произведения живописи и каллиграфии известных китайских мастеров. Имеется краткое описание истории развития жанров и принципов традиционной китайской живописи, а также предания из жизни знаменитых каллиграфов.
Днепропетровск: Юникон ЛТД, 2004. — 42 с. Иллюстрированный альбом предлагает произведения живописи и каллиграфии известных китайских мастеров. Имеется краткое описание истории развития жанров и принципов традиционной китайской живописи, а также предания из жизни знаменитых каллиграфов.
М.: Директмедиа, 2004. — 2722 с. Искусство Китая, очень древнее и самобытное, всегда привлекало внимание европейцев. Издание, к которому Вы сейчас обращаетесь, представляет собой краткую иллюстрированную историю искусства Китая. В него вошли памятники, ставшие классическими для китайской художественной культуры: они наиболее ярко демонстрируют особенности художественного языка...
М.: Директмедиа, 2004. — 2722 с. Искусство Китая, очень древнее и самобытное, всегда привлекало внимание европейцев. Издание, к которому Вы сейчас обращаетесь, представляет собой краткую иллюстрированную историю искусства Китая. В него вошли памятники, ставшие классическими для китайской художественной культуры: они наиболее ярко демонстрируют особенности художественного языка...
Харбинъ: Типография Китайской Восточной железной дороги. 1915. — 21 с.
Сочинил Павел Гладкий, действительный член Общества русских ориенталистов, действительный член Британского королевского азиатского Общества.
М.: ГИ "Искусство", 1958. — 226 с. Книга в основном посвящена описанию различных направлений искусства в Китае после революции 1949 года, хотя и дана небольшая справка по периоду с середины XIX века до 1949 года.
М.: Искусство, 1958. — 226 с. Книга в основном посвящена описанию различных направлений искусства в Китае после революции 1949 года, хотя и дана небольшая справка по периоду с середины XIX века до 1949 года.
М.: В. Шевчук, 2001. — 512 с. — ISBN: 5-94232-015-2. «Слово о живописи из сада с горчичное зерно» состоит из четырех томов (книг, глав). Этот классический аналитический трактат об искусстве создавался в Китае многими авторами в течении почти 140 лет. Первый том его вышел в 1679 г, второй том и третий вышли в 1701 г и последний четвертый том вышел в 1818 г. Здесь раскрываются...
М.: Искусство, 1975. — 440 с.; 32 л. ил. Основное внимание в книге уделено истории эстетической мысли старого Китая, анализу важнейших эстетических свойств китайской живописи. В ней приводятся также переводы и комментарии средневековых китайских текстов по философии и теории живописи. Книга адресована широкому кругу читателей, интересующихся вопросами искусства. Вместе с тем...
М.: Искусство, 1975. — 440 с.; 32 л. ил. Основное внимание в книге уделено истории эстетической мысли старого Китая, анализу важнейших эстетических свойств китайской живописи. В ней приводятся также переводы и комментарии средневековых китайских текстов по философии и теории живописи. Книга адресована широкому кругу читателей, интересующихся вопросами искусства. Вместе с тем...
Москва: РАНИОН, 1929. — 45 с. Работа В. В. Згура была прочитана им в 1926 г. в качестве отчетного доклада по восточному искусству на отделении Искусствознания Института Археологии и Искусствознания. По строгости применённого метода, яркой общей характеристике китайского зодчества, как явления искусства, и по новизне освещения проблемы отражения китайской архитектуры в Западной...
Монография. — Ленинград. 1937. — 35 с.
Рассматривается вопрос о предмете в китайском искусстве, представляющем собой художественную единицу, имеющую тесную связь идеи и материала, из которой логически вытекают все формальные и декоративные возможности для художественного использования.
Без выходных данных. — 236 илл. + 44 фото.
Представлены работы выдающихся мастеров китайской классической живописи. Иллюстративный материал, прекрасное дополнение к любой работе по искусствоведению, а также ценный материал для всех почитателей китайского искусства.
Ханьский рельеф (202 г.до н.э. - 220 г.н.э.)
Вэй, Цзинь, Северные и Южные династии (220 - 589 гг.)
Суй (581 -...
Коллекция изображений китайских живописных свитков (Chinese Fine Art Collection). Рассматриваются работы всевозможных жанров и манер. Качество отличное. Без автора. На китайском языке. 172 с.
Ростов-на-Дону: Феникс, 2006. — 162 с.
В книге представлен обзор и высококачественные репродукции произведений живописи известных китайских мастеров. Кратко описаны история развития жанров и теоретические принципы традиционной китайской живописи от древности до наших дней. Книга может быть использована в качестве учебного и наглядного пособия для учащихся художественных школ,...
М-Л.: Изд. Академии наук СССР, 1956. — 91 с. Автор показывает специфические художественные черты китайского искусства, проявившиеся в работе с новыми изобретенными материалами - фарфором и бумагой и дает краткую историю их появления и развития.
Учебное пособие. — СПб.: Лань; ТРИАDА, 2004. — 960 с.: + вклейка (32 с.). — ISBN: 5-8114-0564-2; ISBN: 5-901178-11-4. В условиях активно развивающихся связей РФ и КНР знание истории китайского искусства и его шедевров приобретает особое значение. Главная цель книги — представить читателю целостную картину истории развития китайского искусства в максимально расширенном временном...
Учебное пособие. — СПб.: Лань; ТРИАDА, 2004. — 960 с.: + вклейка (32 с.). — ISBN: 5-8114-0564-2; ISBN: 5-901178-11-4. В условиях активно развивающихся связей РФ и КНР знание истории китайского искусства и его шедевров приобретает особое значение. Главная цель книги- представить читателю целостную картину истории развития китайского искусства в максимально расширенном временном...
Государственный Эрмитаж. — Ленинград: Типография "Коммунист", 1947 (Таллин). — 56 с. текста, XXX с. ил., 3 л. ил. : ил. Китайский фарфор Фарфор при Минской династии Фарфор при Цинской династии Фарфор XIX века Основная литература Таблицы
Государственный Эрмитаж. — Ленинград: Типография "Коммунист", 1947. — 56 с. текста, XXX с. ил., 3 л. ил. : ил. Книга содержит три кратких исторических очерка о китайском фарфоре: фарфор при Минской династии, фарфор при Цинской династии, фарфор XIX века. Китайский фарфор Фарфор при Минской династии Фарфор при Цинской династии Фарфор XIX века Основная литература Таблицы
Благовещенск: Изд-во БГПУ, 2020. — 202 с. — ISBN 978-5-8331-0427-9. В книге предпринята попытка подвергнуть анализу политику в сфере пропаганды и наглядной агитации, которую, начиная с 1949 г. проводило и проводит руководство КНР, в том числе выявить важнейшие этапы в этой политике, свидетельствовавшие об ее эволюции. В качестве примера используется китайский пропагандистский и...
М.: Государственный музей Востока, 2013. — 138 с.: ил. Иллюстрированный путеводитель, посвящен разделу «Искусство Китая» в постоянной экспозиции Государственного музея Востока в Москве, включающей более 500 предметов. Она строится по хронологическому принципу и по видам искусства. Путеводитель дает представление об особенностях развития китайского искусства, его видах и жанрах....
Каталог. — М.: Советский художник, 1980. — 78 с. Каталог выставки, включающей около 300 произведений из коллекций ГМИНВ и широко освещающей развитие керамического и фарфорового производства в Китае.
Каталог. — М.: Советский художник, 1987. — 86 с. Каталог выставки, целиком сформированной на основе экспонатов Государственного музея искусств народов востока. В собрании ГМИНВ хранится порядка 900 листов няньхуа - китайской народной картины-лубка.
Москва: Шанс, 2019. — 224 с. Китайская традиционная живопись – это особая художественная система с особыми жанровыми законами. В книге автор рассказывает краткую историю этого вида искусства: от наскальных рисунков до шедевров средневековых мастеров. Вы прочтете об особенностях живописи каждой эпохи, познакомитесь с наиболее известными художниками, их техниками и творениями....
Москва: Шанс, 2019. — 224 с. Китайская традиционная живопись – это особая художественная система с особыми жанровыми законами. В книге автор рассказывает краткую историю этого вида искусства: от наскальных рисунков до шедевров средневековых мастеров. Вы прочтете об особенностях живописи каждой эпохи, познакомитесь с наиболее известными художниками, их техниками и творениями....
Автор и выходные данные не указаны, 54 с.
Репродукции живописных свитков даосских мудрецов – средневековая живопись китайских мастеров на шелке. Эти свитки являются национальным достоянием не только современного Китая, но и всей мировой художественной культуры. Это памятник даосской философии, расположенной к углубленному миросозерцанию и постижению тайн сущего. Живопись...
М.: Шанс, 2020. — 169 с. — (Исторические беседы). — ISBN 978-5-906892-73-7. Изделия из керамики появились в Китае почти десять тысяч лет назад. Сначала это была простейшая утварь, выполнявшая только практические функции в хозяйстве. Со временем китайцы научились украшать ее, превратили это в искусство, стали изготавливать не только посуду, но и статуэтки. Из книги вы узнаете об...
М.: Шанс, 2020. — 169 с. — (Исторические беседы). — ISBN 978-5-906892-73-7. Изделия из керамики появились в Китае почти десять тысяч лет назад. Сначала это была простейшая утварь, выполнявшая только практические функции в хозяйстве. Со временем китайцы научились украшать ее, превратили это в искусство, стали изготавливать не только посуду, но и статуэтки. Из книги вы узнаете об...
М.: Спутник +, 2018. — 432 с. — ISBN: 978-5-9973-4860-1. Монография посвящена рассмотрению в контексте «китайского стиля» (шинуазри) новых жанровых направлений пекинской придворной живописи и стиля цинской столичной архитектуры. Касаясь проблемы участия Поднебесной империи в формировании западного модернизма, автор видит в китайско-европейском рынке XVII – н. XX вв. прототип...
Изд. 2-е, испр. — М.: Федеральное государственное бюджетное учреждение науки Институт востоковедения Российской академии наук (ИВ РАН), 2015. — 468 с.: ил. Монография посвящена рассмотрению цинского стиля периода становления и величия маньчжурской династии в Китае в контексте явления шинуазри XVII – XVIII вв. Книга адресована искусствоведам, специалистам по культуре Дальнего...
Москва: Главная редакция восточной литературы издательства «Наука», 1976. — 266 с. В книге на фоне исторических событий, происходящих в Китае в X—XIII вв., рассматриваются условия создания Академии живописи, ее сущность, структура, роль в развитии китайского средневекового искусства. Анализируется также творчество ведущих художников — членов Академии живописи. Введение...
Москва: Главная редакция восточной литературы издательства «Наука», 1976. — 266 с. В книге на фоне исторических событий, происходящих в Китае в X—XIII вв., рассматриваются условия создания Академии живописи, ее сущность, структура, роль в развитии китайского средневекового искусства. Анализируется также творчество ведущих художников — членов Академии живописи. Введение...
М.: Государственный музей Востока, 2014. — 248 с.: ил. Книга представляет собой полное описание хранящегося в Государственном музее Востока собрания классической живописи Китая. В каталог включено около 400 произведений, датирующихся преимущественно XVI–XIX вв. Подробно проанализированы история формирования и изучения коллекции, принципы атрибуции, датировки и определения...
М.: Государственный музей Востока, 2014. — 350 с.: ил. Книга представляет собой полное описание хранящегося в Государственном музее Востока собрания классической живописи Китая. В каталог включено около 400 произведений, датирующихся преимущественно XVI-XIX вв. Подробно проанализированы история формирования и изучения коллекции, принципы атрибуции, датировки и определения...
Original manuscript in 8 volumes. The Ten Bamboo Studio Manual of Painting and Calligraphy (Shizhuzhai Shuhuapu, 十竹齋書畫譜), an anthology of around 320 prints by around thirty different artists (including Hu himself), published in 1633. It consists of eight sections, covering calligraphy, bamboo, flowers, rocks, birds and animals, plums, orchids and fruit.
Manual of the Mustard Seed Garden (芥子園畫傳, Jieziyuan Huazhuan), sometimes known as Jieziyuan Huapu (芥子園畫譜), is a printed manual of Chinese painting compiled during the early-Qing Dynasty. Many renowned later Chinese painters, like Qi Baishi, began their drawing lessons with the manual. It is an important early example of colour printing.
Manual of the Mustard Seed Garden (芥子園畫傳, Jieziyuan Huazhuan), sometimes known as Jieziyuan Huapu (芥子園畫譜), is a printed manual of Chinese painting compiled during the early-Qing Dynasty. Many renowned later Chinese painters, like Qi Baishi, began their drawing lessons with the manual. It is an important early example of colour printing.
Manual of the Mustard Seed Garden (芥子園畫傳, Jieziyuan Huazhuan), sometimes known as Jieziyuan Huapu (芥子園畫譜), is a printed manual of Chinese painting compiled during the early-Qing Dynasty. Many renowned later Chinese painters, like Qi Baishi, began their drawing lessons with the manual. It is an important early example of colour printing.
Manual of the Mustard Seed Garden (芥子園畫傳, Jieziyuan Huazhuan), sometimes known as Jieziyuan Huapu (芥子園畫譜), is a printed manual of Chinese painting compiled during the early-Qing Dynasty. Many renowned later Chinese painters, like Qi Baishi, began their drawing lessons with the manual. It is an important early example of colour printing.
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